Фонодокумент в мировом коммуникационном пространстве: эволюция, современное состояние, направления трансформаций

Abstract

Цель и задачи исследования – разработка целостной концепции генезиса, функционирования и развития фонодокумента в мировом коммуникационном пространстве, определение направлений его трансформации в новых глобальных реалиях. The specialties of the functioning and evolutionary transformations of the phonodocuments throughout the world communication area were identified. The main steps of the auditory information fixation instruments’ development were studied and revealed. The nature, destination and functions of the phonodocuments were figured out. Based on documents classification according to different criterions the typology of the phonodocuments was structured. The typology is based on new features – types of sound equipment and specifics of the fixed content. Musical phonodocuments are highlighted as a special cluster of the communication area. In that context the central attention is paid to the characterization of the nature of technical artifacts on the rock music’s records mainly through the communicative essence. In context of sociocommunication the peculiarities of the industry system organization, replication, distribution and storage of the musical phonodocuments in different areas of the world were revealed. The basic principles of the functioning and interaction of the sound recording industry subjects were marked. The cyclicity of the megasystem of the phonodocuments communication development was proved based on generalizing of the foreign and domestic historical experience. The main regularities and principals of the phonodocuments formation were formulated. Common and distinctive features of the national and non-state phonodocuments function-ing at the present stage were revealed. The attention on the storage organization specifics and using radiophonodocuments was focused, the specifics of this subtype transformation were characterized in details. The specifics of using phonodocument title rights were concretized. Demarcation of the causes and conditions of the counterfeiting with other types of the musical phonodocument falsifications was held. The per-spective plan of the audio-piracy counteraction was built based on expert values results of the law mechanism effectiveness. The bootleg phenomenon is presented as phonodocument option. The systematic incorporation of the world sound recording industry and audiovisual archives into phonodocument communications processes was substantiated. The phonodocument communication models were presented as disconnected elements, which were organically gathered and integrated into the balanced system. The ways of the communication platform enhancement were offered for creating and circulating of the phonodocuments in new conditions. This platform requires the introduction of the measures complex on the functional-content segmentation of the logistic channels and chains, reconstruction of the main elements and optimization of the auxiliary-servicing productions, as well as regulatory support of the legal regime of individual information resources with limited access. Advantages and disadvantages of the consumer formats revision of the phonodocuments were pointed. A number of provisions of the investigation in this post-dissertational release were fed in unfolded view. Particularly, innovation developments on thematic scenario of the private sound recording collections formation and corporative phonogram storages modernization based on intercompany cooperation were represented.